EG

EUGENE
GRIPINSKY
ARTIST
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Series 1
Acrylic on Canvas, Photo
Submergence Two fractals
Submergence
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Two fractals
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In-dust-real Late
In-dust-real
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Late
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  Why are the things created by the nature are perceived as harmonic? Why do people feel better and relaxed by these things? A leaf, a branch, a snail, a conch, a snowflake – what is common about them? As a child I often asked myself these questions. Mathematics, which I studied later, helped me to answer some of them. The harmony every person yearns for is based on mathematic patterns. Unconsciously people read the mathematic formulae that describe the things around us. For example when a person looks at a ball he/she understands its geometry, perceives its symmetry even if he/she doesn’t know the formula determining the shape. The same happens when we see more complicated objects. When subconsciousness reads the formula our mind finds the harmony. Perhaps mathematics can understand the language the nature is coded in. A leaf, a branch, a snail, a conch, a snowflake are natural fractals. Their structure can be described by mathematic language. In Series 1 I modeled my own fractal that resembles some of a snail’s shell but partially open. In fact it is an ad infinitum colonnade repeated and circled in itself. I wanted to create a thing symbolizing loneliness and self–discovery. I used the sculpture in Series 1 several times.
Versa Versa Versa
Submergence. 2 snails, 2 fractals, 2 living beings, 2 pilgrims. There are mosaics in Buddhism called mandalas, they are designed to help a person to start meditation. I assumed there are natural mandalas, which can be pilgrimage centers.
Two fractals. One can see a Baobab here – a natural fractal and some ruined building of a fractal structure.
In-dust-real. A photo of a high-voltage power line tower from below. An unusual view of a usual thing.

  One person told me that the works of Series 1 he has at home help him to distance himself from daily routine, having a look at them helps his mind to relax and his soul reaches for the places it comes from.
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© Eugene Gripinsky, 2007